<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://straylight.cs.st-andrews.ac.uk/omeka/items/show/362">
    <dcterms:title><![CDATA[Key Pattern]]></dcterms:title>
    <dcterms:description><![CDATA[Key Patterns (repeated vertical and horizontal lines).<br />
<br />
Know here as the Key Pattern, or a meander or meandros (Greek: Μαίανδρος) it is a decorative border constructed from a continuous line, shaped into a repeated motif. Such a design is also called the Greek fret or Greek key design, although these are modern designations. On the one hand, the name &quot;meander&quot; recalls the twisting and turning path of the Maeander River in Asia Minor, and on the other hand, as Karl Kerenyi pointed out, &quot;the meander is the figure of a labyrinth in linear form&quot;. Among some Italians, these patterns are known as Greek Lines.<br />
<br />
&#039;J. Romeilly Allen was of the opinion that the essential difference between the classical Key patterns and those used by the Christian Celts of Britain and Ireland, consisted in the introduction of diagonal lines by the latter.&#039; - George Bain, Celtic Art, The Methods of Construction.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://straylight.cs.st-andrews.ac.uk/omeka/items/show/363">
    <dcterms:title><![CDATA[Tripple Spiral]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://straylight.cs.st-andrews.ac.uk/omeka/items/show/364">
    <dcterms:title><![CDATA[Knot-work]]></dcterms:title>
    <dcterms:subject><![CDATA[According to artist George Bain, Religion and Pagan laws had the greatest influence on the art form of Celtic knots, playing an important role in there design.<br />
<br />
The interlacing of human form and Celtic knots evolved from laws forbidding drawing portraits of human figures as this was tantamount to copying a work of the creator, “God the Almighty,” explains Bain in his book Celtic Art. Similarly, it was forbidden to draw animals or plants. Angels and mythic creatures, on the other hand, were not of the earthly realm. And Saints had departed this realm. Thus, Celtic knot patterns were used to represent most of the human form, while heads, appendages and tails were often depicted using more life-like representations.]]></dcterms:subject>
</rdf:Description><rdf:Description rdf:about="https://straylight.cs.st-andrews.ac.uk/omeka/items/show/365">
    <dcterms:title><![CDATA[Tripple Spiral]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://straylight.cs.st-andrews.ac.uk/omeka/items/show/366">
    <dcterms:title><![CDATA[Rosemarkie Cross design and pattern detail]]></dcterms:title>
    <dcterms:subject><![CDATA[Detail from the front of the Rosemarkie Stone.]]></dcterms:subject>
</rdf:Description><rdf:Description rdf:about="https://straylight.cs.st-andrews.ac.uk/omeka/items/show/376">
    <dcterms:title><![CDATA[Rosemarkie Stone OBJ 4]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://straylight.cs.st-andrews.ac.uk/omeka/items/show/378">
    <dcterms:title><![CDATA[Rosemarkie Stone Past Unity]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://straylight.cs.st-andrews.ac.uk/omeka/items/show/379">
    <dcterms:title><![CDATA[Inverness Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Eight Class 1 stones are on display, including the Ardross Wolf and a fragment from Little Ferry Links(Sutherland) that matches a piece in Dunrobin Castle Museum. There are also examples of Pictish metalwork showing the symbols.<br />
<br />
Open all year (free)<br />
]]></dcterms:subject>
</rdf:Description><rdf:Description rdf:about="https://straylight.cs.st-andrews.ac.uk/omeka/items/show/380">
    <dcterms:title><![CDATA[Tain Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[Outside the museum door, in the churchyard, is the The Ardjachie Stone, it is an uncut but decorated red sandstone boulder discovered by farmers in 1960 on the Ardjachie Farm in the Tarbat peninsula of EasterRoss.  On it are depicted several dozen cup or ring marks probably dating to the Bronze Age. It also has an inverted-L design with a wheel image above.  It is a Class I Stone. <br />
<br />
Visible all year -it is just inside the churchyard gate to Castle Brae, outside the museum doorway. In the museum itself are fragments of two Pictish stones found at Edderton Churchyard in 1992, and also a fragment of the Nigg Stone, found in 1999.]]></dcterms:subject>
</rdf:Description><rdf:Description rdf:about="https://straylight.cs.st-andrews.ac.uk/omeka/items/show/381">
    <dcterms:title><![CDATA[Dunrobin Castle  Museum]]></dcterms:title>
    <dcterms:subject><![CDATA[This fascinating Victorian museum, in the grounds of Dunrobin Castle, holds, amongst other collections, an outstanding collection of over twenty Pictish stones.  It includes both Class 1 symbol stones and Class 2 cross-slabs collected from the south-east Sutherland coast, from Craigton and Little Ferry north to Navidale.]]></dcterms:subject>
</rdf:Description></rdf:RDF>
